Jonathan Simkhai skipped the neat seasonal storyline for Resort 2027 and went straight to the studio table. Fringe, organza, suede, rope-like knits, and layered leather do the heavy lifting, giving the lineup a more tactile charge than a typical resort moodboard could. The standout pieces feel worked by hand without looking precious: a leather blazer sliced into layered strips, organza gowns with surface detail, fringed dresses that move with the body, and knit dresses developed through new fabrication methods.
For Jonathan Simkhai, the shift makes sense. His strongest clothes usually start with familiar shapes, then complicate them through texture, fit, or finish. Resort 2027 keeps that instinct intact, but the materials feel more exposed this time, almost like the process is part of the styling.
The layered leather blazer gives the season its clearest jolt. At first glance, it is still a blazer, which matters. Then the strips start to register, breaking up the surface and giving the jacket a restless quality. It has structure, but it does not sit still.
That kind of treatment keeps the piece from reading like another polished wardrobe staple. The texture gives it a sharper personality without making it difficult to understand. It is the sort of jacket that could sit over a clean trouser or a dress and change the whole temperature of the look.
The dresses are not relying on silhouette alone. Fringe brings a looser rhythm, while hand-applied organza adds a more delicate surface tension. Shredded chiffon and layered techniques give the evening pieces a sense of motion before the wearer even moves.
That tactile quality gives the Jonathan Simkhai dresses a better reason to linger. They still fit within the brand’s polished resort language, but the surface work makes them feel less predictable than a clean gown or easy party dress. The detail is doing the styling before accessories enter the picture.
The rope-like knit dresses bring the most interesting shift in hand feel. Instead of leaning into the usual lightweight resort knit, Simkhai gives the yarn more structure, turning the dresses into pieces that look built rather than simply fitted. There is a subtle tension in that choice, especially against the softer organza and fringe elsewhere in the lineup.
Within Jonathan Simkhai knitwear, that rope effect gives the category a stronger identity for Resort 2027. It keeps the body-aware polish the brand is known for, but adds a more physical, almost architectural quality.
Suede brings a calmer counterweight. It appears in outerwear and matching men’s sets, giving the collection a warmer, more grounded texture after all the organza, fringe, and leather-strip work. The material has an immediate luxury read, but the styling keeps it from looking too dressed up.
The men’s relaxed tailoring also feels more defined this season. Jackets and sets look polished without getting stiff, which is a useful direction as Simkhai prepares to open his first Florida boutique in Bal Harbour. That market context matters: the clothes need sun, polish, and enough surface interest to stand apart without feeling overworked.
Resort 2027 feels strongest when the technique stays visible. The leather is cut and layered. The organza is applied. The knits are pushed into rope-like form. The suede settles everything down. Simkhai does not need to force a grand theme here because the materials already give the collection its point of view.
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Brand DNA
Founded in Los Angeles by Jonathan Simkhai in 2010, SIMKHAI brings a polished, West Coast lens to modern dressing with sleek tailoring, body-skimming dresses, textural knits, sharp cutouts, and occasion pieces with cool-girl pull.
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