Vivienne Westwood The Spring Cherubs brings François Boucher’s Le Printemps into a capsule of corsets, shirts, jersey tops, sandals, and bags. Launching June 24, 2026, the collection pulls an eighteenth century painting into the Westwood world, where cherubs, clouds, pastel flowers, sharp tailoring, and archive pieces suddenly feel much less innocent.
The Cherubs Are Up To Something
On paper, Le Printemps sounds almost too pretty, soft bodies, clouds, flowers, and Rococo fantasy. But Vivienne Westwood has never been interested in prettiness that behaves. The Spring Cherubs turns the painting into something stranger, sharper, and a little more loaded.
That is the fun of it. A cherub print on a corset does not read the same way as a cherub print in a museum. Once it enters Vivienne Westwood, the sweetness starts looking suspicious. The print becomes the bait, then the Westwood codes take over.
The Puppy Corset Was Built For This Kind Of Trouble
The Puppy Corset is the piece everyone will clock first, and for good reason. Wrapped in the Le Printemps artwork, it turns Rococo romance into something body conscious, theatrical, and very Westwood. The full scale print makes it feel collectible, but the shape keeps it from getting precious.
Westwood corsetry has always had that charge, romantic at first glance, rebellious once you look closer. This capsule gives that language a new surface, placing clouds, flowers, and cherubs across the kind of shaped silhouette that already defines the house. It sits naturally beside Vivienne Westwood dresses, where structure and drama have never needed to ask for permission.
The Shirts Make Art History Easier To Wear
The Violin Shirt and Two Button Krall Shirt bring the artwork into a cleaner lane. Both are made from 100 percent organic cotton, which gives the capsule a practical edge under all the Rococo excess. A cherub covered shirt could easily go costume, but Westwood gives it shape, bite, and enough structure to make the whole thing feel intentional.
The Ls Squiggle Jersey Top goes softer and closer to the body. Jersey changes the mood of the print, letting the clouds and pastel flowers feel more like styling than spectacle. That is where Vivienne Westwood tops make the capsule feel useful beyond the headline piece.
The Accessories Know Exactly What They Are Doing
The Roman Three Strap Sandal and Worker Runner Holdall take the joke even further. A sandal covered in cherubs has the kind of wrongness Westwood does better than anyone. A holdall turns the painting into something you carry through the street, which somehow makes the whole Rococo fantasy feel more current.
The timing also feels right. Westwood’s Spring Summer 2026 world already moves through Rococo suiting, treated denim, organic fabrics, tartan, corseted shapes, and a younger audience that knows the archive is never just archive. The Spring Cherubs gives that appetite a new object to obsess over. It is pretty, yes, but it is also weird, witty, and just unruly enough to make the cherubs look like they started the trouble.
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Brand DNA
Founded in London by Vivienne Westwood, the house rewired punk into luxury with tartan, corsetry, Orb jewelry, draped dresses, sharp tailoring, and rebellious British glamour.
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