
The Vibe :
⊹ Python sequins and metallic chains coil around the body
⊹ Pole-dance athleticism gives the draping real physical tension
⊹ Poolside dresses arrive sharper, stranger and far less innocent
⊹ A virtual model carries Koma’s fantasy beyond the studio
David Koma Resort 2027 has all the ingredients of a very good bad idea: python sequins, metallic chains, skin-tight dresses and a virtual model who looks almost too convincing. The collection takes Koma’s familiar body-conscious glamour and pushes it into a stranger space, where every curve feels controlled and every image looks slightly unreal.

A photograph of Nastassja Kinski posed with a serpent helped set the direction, but Koma didn’t stop at a literal snake print. Curved lines travel around the torso, cut through dresses and reappear as leather panels, chains and narrow openings. The body becomes the path rather than the backdrop, giving the clothes the charged, close-fitting quality that defines David Koma.
Python surfaces sharpen the effect. Transparent sequins sit directly against the skin, catching light without hiding what’s underneath, while reptilian markings move across dresses in a way that feels more dangerous than decorative. Maya Jama previewed one of the looks at the Serpentine summer party, making the collection’s snake reference feel almost too perfectly placed.

Pole dancers supplied another key reference. Koma focused on the strength and control needed to suspend the body, then translated that tension into dresses draped directly on the form. Fabric twists across the hips, structured ruffles lift away from the body and metallic chains fall in lines that follow every movement.
The clothes may look barely held together, but the construction is doing plenty behind the scenes. Hidden crinoline supports ruffled shapes, while exact draping keeps narrow sections of fabric in place. That tension between exposure and control has always run through Koma’s dresses, but Resort 2027 makes it feel more physical.

Poolside dressing gets the same treatment. Rather than leaning into easy cover-ups or relaxed resort clichés, Koma proposes dresses with rigid ruffles, slinky cutouts and chains that behave almost like jewelry. They’re technically made for warm weather, but they look far more suited to a party that starts after sunset.
Then the lookbook changes the rules. The model isn’t human, even though the images are polished enough to make that detail easy to miss. Koma used digital tools to build a figure and setting around the collection, turning the presentation into another extension of the fantasy rather than a straightforward record of the clothes.

The important part is that the garments remain physical. They were sketched, fitted, draped and constructed in Koma’s Shoreditch studio before entering the digital setting. The virtual model doesn’t replace the making process. She simply gives the collection another character to inhabit.
Compared with the monochrome feathers and swan references of David Koma Fall 2026, Resort 2027 feels slicker and more predatory. The shine is harder, the body is more exposed and the serpent motif gives every curve a little more bite.

It also leaves the bright Pop Art language of Resort 2026 behind. This time, one curved line does most of the work, wrapping around dresses, cutting into the silhouette and pulling the eye exactly where Koma wants it. The result is glossy, physical and just digital enough to feel slightly off-limits.
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Extra Style Notes
Brand DNA
Founded by Georgian-born designer David Koma in London in 2009, the label is celebrated for body-conscious silhouettes, precise tailoring, crystal embellishments, and modern eveningwear. Architectural lines and bold femininity define its signature red-carpet appeal.